[NEWS] How I Podcast: The Moth’s Dan Kennedy – Loganspace

The elegance of podcasting is that someone can attain it. It’s a uncommon medium that’s in the case of as easy to attain as it’s to indulge in. And as such, no two other folks attain it precisely the same ability. There are a wealth of hardware and application suggestions launch to ability podcasters, so setups chase the gamut from NPR studios to USB Skype rigs.

We’ve requested some of our current podcast hosts and producers to spotlight their workflows — the equipment and application they exercise to get the job performed. The list up to now entails:

Bullseye’s Jesse Thorn
Ben Lindbergh of Effectively Wild
My hang podcast, RiYL

This week, we’ve enlisted a host who straddles the line between pro-stage public radio recordings and home studios. Right this moment,Dan Kennedyis potentially only identified as the host of the podcast version ofThe Moth Radio Hour. For bigger than two decades, The Moth has featured one of the necessary most spirited, silly and notion-upsetting names in long-invent storytelling. The sequence’ most modern sequence of reviews,The Moth Provides Occasional Magic: Appropriate Stories About Defying the Very no longer going, is out now.

Kennedy is additionally an writer whose work has been published in McSweeney’s GQ and assorted assorted publications. He is additionally the author of several books, together with “Loser Goes First: My Thirty-One thing Years of Dreary Superb fortune and Minor Humiliation,” “Rock On: An Place of work Energy Ballad” and “American Spirit: A Original.”

I don’t legend The Moth Podcast right here at home. We legend that on the assign aside of living of job studio downtown, or at Argot Studios, and we’ve had a ton of indispensable producers over the years — Whitney Jones, Laura Haden, Timothy Lou Ly, Paul Ruest, Julia Purcell, to title just a few. Dwelling is the assign aside I legend the total lot else in my world; audio variations of my McSweeney’s objects for their Patreon location; freelance production and express-over work for customers — generally cable networks; demos for contemporary podcast suggestions cherish this restricted sequence belief me and some chums in L.A. pitched to Panoply and Audible and wherever else that can even simply no longer sleep.

My rig right here at home is a Rode NT 1000 mic, thru an Onyx Blackjack, into Hindenburg Journalist. Gigantic easy. I do know a good deal of individuals cherish SM58s and Yetis, however I’m in cherish with that Rode. I tranquil hang a Presonus TubePre, however I never exercise it anymore. There’s an ancient blue Anvil road case right here that’s followed me thru three or four residences; the tomb of ancient instruments from over the years — Oxygen midi controllers, ancient Line6 stuff, iRigs… When stuff in the end breaks or turns into incompatible, that’s the assign aside it goes. I’m amazed by how unparalleled you would also attain at home now.

I came up thru community radio in Seattle encourage in the day, 400 watts that would perchance attain to Kent on a ethical morning. You needed to reserve the production studio at evening at the same time as you wished to legend private stuff. Or even you had one buddy with a rack of preamps and reverb, a tight mic and a Tascam Portastudio, and you needed to bring your suggestions to their condo and take a look at to get one thing performed. Now you would also reasonably unparalleled legend one thing else at home and distribute it worldwide. It’s a extraordinarily chilly time to be making issues.